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Celebrating Indigenous Women: Legacies of Strength and Resilience in Born of the Bear Dance

In celebration of Women’s History Month, get acquainted with the deeply impactful indigenous women in our newest special exhibition Born of the Bear Dance: Dugan Aguilar’s Photographs of Native California.  From master weavers like Jennifer Bates, Elsie Allen, Julia F. Parker, and Meyo Marrufo, these women’s contributions exemplify strength, resilience, and an unyielding commitment to their communities. As we celebrate their legacies, we invite you to explore how their stories—woven into the fabric of California’s history—continue to shape the present and inspire future generations.

Jennifer Bates (Northern Sierra Mewuk)

Jennifer Bates (Northern Sierra Mewuk), Oakland Big Time, 1996, Gift of the family of Dugan Aguilar

We celebrate Jennifer Bates, a master Mewuk basket weaver and founder of the California Indian Basketweavers Association (CIBA). For over 45 years, Jennifer has been dedicated to preserving Native California traditions, and her work continues to inspire future generations. She exemplifies the strength and resilience of Indigenous women.

Elsie Allen (Pomo)

Elsie Allen (Pomo) Holding a Basket by her Mother, Annie Burke, Circa 1985, Gift of the family of Dugan Aguilar

We reflect on the contributions of Elsie Allen, a renowned Pomo basket weaver whose art has been passed down through generations. Featured alongside her mother’s work in Born of the Bear Dance, Elsie’s art is a testament to the cultural preservation and resilience of Indigenous women. Besides being a legendary weaver, she was also a collector of other weavers’ work with the explicit purpose of preserving and honoring traditional techniques. Her legacy of safeguarding heritage and community endures in this powerful exhibition.

Meyo Marrufo (Eastern Pomo- Citizen of the Robinson Rancheria Band of Pomo Indians)

Meyo Marrufo (Eastern Pomo- citizen of the Robinson Rancheria Band of Pomo Indians), Tower Bridge, Sacramento River , 1999, Gift of the family of Dugan Aguilar

We spotlight Meyo Marrufo, a trailblazing artist whose work blends traditional Pomo culture with contemporary art. Through her art and educational outreach, Meyo empowers Native communities and fosters healing, demonstrating how the creative voices of women continue to shape and strengthen our cultural landscape.

Ruth Asawa, Sin título, 1974
Isamu Noguchi, Mesa de centro, principios de los años 50
Hung Liu, Heroína Gu Yanxiu, 2012
Leo Valledor, Nos vemos, 1982
Carlos Villa, Sin título, 1969
Yun Gee, Barrio Chino de San Francisco, 1927