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Spotlight on Tony Labat



Tony Labat, a Cuban-born American multimedia artist, is an influential figure not only for modern art in general, but his work is deeply rooted in the California art scene and has a specific impact on OMCA on its community. His expansive body of work—encompassing performance, video, sculpture, and installation—has significantly shaped the landscape of modern art, blending personal experience with broader cultural critiques.

Tony Labat’s Big Peace IV sculpture featuring in the OMCA Garden

From Cuba to California: An Artistic Journey

Born in Havana in 1951, Tony Labat immigrated to the United States at the age of 15, embarking on a transformative journey that would eventually lead him to the heart of California’s vibrant art community. His experiences as a Cuban immigrant have profoundly influenced his artistic practice and are the lens through which he comes to explore themes such as displacement, marginalization, and cultural hybridity. Labat’s work often reflects on the impact of media, advertising, and consumerism, examining how these cultural forces shape and define our identities.

Labat’s Peace Series is a notable example of his commitment to social and political commentary. This series, renowned for its incisive critique of war, violence, and inequality often employs irony and humor to provoke reflection and discussion. Labat’s approach is both thoughtful and provocative, using art as a platform to address critical issues in contemporary society.

One of the standout pieces in Labat’s Peace Series and one near and dear to the OMCA is Big Peace IV, a large-scale sculpture prominently displayed on our garden grounds. This towering yellow peace symbol is more than just a striking visual element; it is a powerful emblem of hope and a testament to Labat’s desire to engage with the community. Big Peace IV stands as a dynamic element within the urban landscape. Its bold, vibrant form invites interaction, becoming a focal point for a variety of community activities—from photographs and gatherings to protests. The sculpture’s ability to adapt and integrate into the public sphere reflects Labat’s intention for his work to not only be seen but also to inspire and provoke thought within the community.

Tony Labat’s contributions to contemporary art extend beyond his individual pieces; they reflect a broader engagement with cultural and social issues. His work challenges viewers to consider the impact of media and consumerism on identity and society, while also offering a hopeful vision through pieces like Big Peace IV. In celebrating Tony Labat’s work, we acknowledge the power of art to bridge cultural divides, challenge conventions, and engage with critical social issues. His legacy is a testament to the enduring impact of art as a force for reflection, engagement, and change.

Come celebrate #WorldPeaceDay by visiting Big Peace IV by artist, Tony Labat, found in the OMCA Garden

#OMCA #Peace #OMCAGarden

Come check out OMCA’s galleries and garden

More FROM OUR GALLERY

Ruth Asawa, Untitled, 1974
Isamu Noguchi, Coffee Table, early 1950s
Hung Liu, Heroine Gu Yanxiu, 2012
Leo Valledor, See You Around, 1982
Carlos Villa, Untitled, 1969
Yun Gee, San Francisco Chinatown, 1927