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DTSTART;TZID=America/Los_Angeles:20260311T000000
DTEND;TZID=America/Los_Angeles:20260315T235959
DTSTAMP:20260416T211547
CREATED:20260220T002320Z
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UID:10002283-1773187200-1773619199@museumca.org
SUMMARY:Member Bonus Reciprocity Week at BAMPFA
DESCRIPTION:Spotlight Sundays: Earthseed Screening with People’s Kitchen Collective and Emory Douglas\n\n        \n    \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJoin us in a celebratory partnership between the Oakland Museum of California and the Berkeley Art Museum and Pacific Film Archive (BAMPFA) with this bonus reciprocity week-long event!  \n\n\n\nFrom March 11-15th\, enjoy free admission reciprocity to BAMPFA for 2 guests per membership and 50% off of current and future film screenings! Use code OMCA2026 for film reservations online. \n\n\n\nBAMPFA is open 11 am–7 pm\, Wednesday through Sunday. \n\n\n\nNot a Member yet? Join Today! \n\n\n\n\n\n\n\nCurrent Exhibitions Include:\n\n\n\n\n\n\n\nTheresa Hak Kyung Cha: Multiple Offerings\n\n\n\nTheresa Hak Kyung Cha: Multiple Offerings is the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha (b. 1951\, Busan\, South Korea; d. 1982\, New York City). Cha produced an expansive range of works across text-based media\, video\, and performance\, including her posthumously published book\, Dictée (1982). The artist’s interdisciplinary practice gave shape to the experimental art scenes in San Francisco\, New York City\, and beyond. \n\n\n\nAfter emigrating from South Korea to the United States\, Cha enrolled in 1969 at UC Berkeley\, where she studied art practice\, comparative literature\, and film. Keenly attuned to the active role that audiences play in the creation of meaning\, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” The retrospective adopts this framework to allow for a range of entry points into Cha’s work\, guiding visitors through the themes—memory\, displacement\, and the mutability of language\, among others—that recur in her oeuvre. \n\n\n\nSince 1992\, owing to a generous gift from the Theresa Hak Kyung Cha Memorial Foundation\, BAMPFA has served as the steward of Cha’s art and archives. Gathering over one hundred artworks and archival materials from across her short but prolific career\, as well as select loans of works by Cha and other artists\, Multiple Offerings highlights the inventive\, playful\, and meditative methods of Cha’s practice while also situating her work within a constellation of artistic forebearers\, peers\, and contemporary artists for whom she has long been a lodestar.  \n\n\n\nThe exhibition is accompanied by a richly illustrated catalogue—the first museum monograph dedicated to the artist in over twenty years. \n\n\n\n\n\n\n\nArt Wall / Stephanie Syjuco: Present Tense (Roll Call)\n\n\n\nDebuting her largest wall installation to date\, artist Stephanie Syjuco (b. 1974\, Manila\, Philippines; lives and works in Oakland) presents Present Tense (Roll Call). Referencing the classroom routine of announcing one’s presence\, the exhibition explores radical pedagogy in the politics of education. Syjuco’s practice spans from handcrafted textiles to archival excavations\, interrogating how photography and archives shape racialized narratives of being and belonging. \n\n\n\nFor this exhibition\, Syjuco\, a UC Berkeley professor since 2013\, reflected on her role as an educator while drawing from the Bancroft Library and the Ethnic Studies Library\, engaging with their extensive holdings on student activism and research by marginalized communities. As part of the artist’s process\, she collaborated with multiple participants\, inviting educators nationwide to contribute pedagogical materials\, thus reinforcing the interconnected nature of knowledge production. \n\n\n\nPresent Tense (Roll Call) cascades across the wall as a sprawling visual field of text and imagery\, which uses documents referencing the first ethnic studies programs in the United States\, including UC Berkeley’s program\, born in the late 1960s. With this project\, Syjuco urgently responds to the broad backlash against and recent legislative attacks on ethnic studies\, book bans\, and the defunding and removal of diversity programs. She transformed ordinary didactic materials into a layered constellation of fragmented and reassembled information. Her photographic approach reenacts archival parsing\, selectively sharpening elements while letting others fade into illegibility\, revealing how knowledge is precariously preserved\, erased\, and fiercely contested. By working through the logic and limits of archives\, Syjuco invites viewers to reconsider the tension through which history—and its daily presence—is recalled\, constructed\, and controlled. \n\n\n\n\n\n\n\nObject Oriented: Abstraction and Design in the BAMPFA Collection\n\n\n\nObject Oriented: Abstraction and Design in the BAMPFA Collection explores how artists have represented\, reshaped\, and reimagined familiar objects\, drawing attention to the role of design in our everyday lives. This exhibition encourages acts of close looking\, asking viewers to question their immediate recognition of what they see. In this way\, an object that might at first appear to be a chair could also be considered a sculpture\, a stand-in for a body\, or simply a piece of metal. \n\n\n\nThis exhibition brings questions of design into conversation with abstraction. The paintings on view emphasize their own materiality rather than picturing or alluding to something outside of themselves. At the same time\, items that might seem functional are also explorations of color\, shape\, pattern\, and texture. By highlighting these formal aspects of the pieces\, the exhibition calls into question our assumptions around the utility of objects. \n\n\n\nDrawing from BAMPFA’s expansive holdings\, Object Oriented positions abstract painting and sculpture alongside works designed for architectural spaces\, maquettes\, and artist’s books. Seen together\, these works bring a new awareness to the ways we think about and categorize objects through art and design. \n\n\n\n\n\n\n\nExperience the best of world cinema on the big screen in BAMPFA’s state-of-the-art Barbro Osher Theater\, including the following films: \n\n\n\nFar from Home by Sohrab Shahid Saless \n\n\n\nKill the Documentary by Harun Farocki\, Hanspeter Krüger\, Eckart Kammer\, and Caroline Gremm \n\n\n\nCompensation by Zeinabu irene Davis \n\n\n\nThe Bitter Tears of Petra von Kant by Rainer Werner Fassbinder \n\n\n\nLast Year at Marienbad by Alain Resnais \n\n\n\nAdvanced purchase is highly recommended as films sell out quickly! Check your March calendar of events email for the discount code or email the Membership team at membership@museumca.org.  \n\n\n\n\n\n\n\nFor gallery admission\, simply present your OMCA membership card at the Visitor Experience welcome counter and enjoy.   \n\n\n\nQuestion or comments? Please contact us at membership@museumca.org or 510-318-8520. Please note that BAMPFA is closed on Labor Day\, September 1. \n\n\n\n\n\n\n\n\nReturn to Events\n\n\n\n\n*Header image: Theresa Hak Kyung Cha\, Other Things Seen\, Other Things Heard\, 1978. Gift of the Theresa Hak Kyung Cha Memorial Foundation.
URL:https://museumca.org/event/member-bonus-reciprocity-week-at-bampfa-2026/
LOCATION:Berkeley Art Museum and Pacific Film Archive\, 2155 Center St\, Berkeley\, California\, 94720\, United States
CATEGORIES:Members
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DTSTART;TZID=America/Los_Angeles:20260314T120000
DTEND;TZID=America/Los_Angeles:20260314T130000
DTSTAMP:20260416T211547
CREATED:20260212T230823Z
LAST-MODIFIED:20260310T224044Z
UID:10002282-1773489600-1773493200@museumca.org
SUMMARY:Member Tours: Women’s History Month Artwalk with Avril Angevine
DESCRIPTION:Spotlight Sundays: Earthseed Screening with People’s Kitchen Collective and Emory Douglas\n\n        \n    \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMember Tours: Women’s History Month Artwalk with Avril Angevine\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJoin us for a woman-focused walk-through of the Gallery of California Art. Take a deep dive into the background of some of California’s best—and least—known women artists\, including Hung Liu\, Sonia Gechtoff\, Viola Frey\, Margaret Peterson\, Ann Weber\, Carmen Lomas Garza. Delight in their works and hear stories about their lives\, practices\, and challenges with Gallery Chats facilitator Avril Angevine.  \n\n\n\n\n\n\n\n\nBECOME A MEMBER\n\n\n\n\nPlease note that tour spots are limited. A sign up sheet will be available at the Ticketing Desk when checking in so get here early to grab your spot! \n\n\n\n\n\n\n\n\n\n\n\n\n\nFacilitator\n\n\n\n\n\nAvril Angevine is an OMCA Gallery Chats Facilitator and a lifelong art aficionado with a particular interest in modern\, contemporary\, and California art. She speaks on art subjects at various locations in the Bay Area\, including the OLLI programs at Santa Clara University\, Dominican College\, San Francisco State\, and the Fromm Institute. Avril has a BA in English and an MA in Comparative Literature from UC Berkeley and has taught English and Humanities at local colleges. She is also a museum guide at the San Francisco Museum of Modern Art\, the Sonoma Valley Museum of Art\, and the Oakland Museum of California. \n\n\n\n\n\n\n\n\n\nAccessibility\n\n\n\nOakland Museum of California (OMCA) is committed to providing programs that are accessible\, welcoming\, and inclusive of our community. Wheelchairs\, sensory inclusive devices\, and additional amenities are available for checkout on a first come\, first served basis at the Ticketing Desk. To request other accommodations\, like American Sign Language (ASL)\, Cantonese\, Spanish or another language interpreter\, please email visitor@museumca.org at least three weeks before the event. Learn more about our accessibility options. \n\n\n\n\n\n\n\n\n\n\n\n\nReturn to Events
URL:https://museumca.org/event/member-tours-womens-history-month-artwalk-with-avril-angevine/
LOCATION:OMCA Gallery of California Art\, 1000 Oak St\, Oakland\, California\, 94607\, United States
CATEGORIES:Gallery Chats at OMCA,Family,Members
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DTSTART;TZID=America/Los_Angeles:20260315T130000
DTEND;TZID=America/Los_Angeles:20260315T160000
DTSTAMP:20260416T211547
CREATED:20260212T230804Z
LAST-MODIFIED:20260218T213606Z
UID:10002281-1773579600-1773590400@museumca.org
SUMMARY:Spotlight Sundays: Trans Ancestors in History and Creative Practice
DESCRIPTION:Your browser does not support the video tag.\n            \n		\n		            \n				                    \n\n				                Your browser does not support the video tag.\n            \n		\n    \n\n    \n        \n            \nSpotlight Sundays: Earthseed Screening with People’s Kitchen Collective and Emory Douglas\n\n        \n    \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSpotlight Sundays: Trans Ancestors in History and Creative Practice\n\n\n\n\n\n\n\n\n\n\n\n\n\nTalk 1–2 pm \n\n\n\nWorkshops 2–4 pm \n\n\n\n\n\n\n\n\n\n\n\n\n\nDuring the month of Trans Day of Visibility\, join us for a creative exploration of trans ancestors and their indelible legacies of resistance. Community historian Andrea Horne will give a talk about her life’s work unearthing histories of Black trans luminaries. Learn about her groundbreaking research that confronts a limited written record and unveils stories—from the fantastic to the everyday—of how Black trans women changed the world. This talk is open to all\, and tickets are required.  \n\n\n\n\nTALK ONLY TICKETS\n\n\n\n\nFollowing the talk\, two intimate creative workshops will draw inspiration from the lives and legacies of trans ancestors. Queer Ancestors Project teaching artists Mason J. and Ajuan Mance will facilitate the simultaneous workshops—writing and comix\, respectively—guiding participants in exploring stories of trans ancestors central to their personal\, collective\, and political lineages. Come create with community and deepen connection to shared histories as we cultivate liberatory visions of trans futures. Materials provided. The workshops prioritize trans and genderqueer people\, and capacity is limited. Tickets are required and also include admission to the talk.  \n\n\n\n\nWriting Workshop + talk Tickets\n\n\n\n\n\nCOMIX Workshop + talk  Tickets\n\n\n\n\n\n\n\n\nAndrea Horne’s work is funded in part by the San Francisco Arts Commission. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Facilitators\n\n\n\nAndrea Horne is an SF Arts Commission award-winning artist\, cultural worker\, and community historian whose work bridges the Black arts movement\, LGBTQ+ storytelling\, and public health advocacy. A beloved Bay Area performer and advocate\, Andrea is the creator of The Knowing—a multidisciplinary collective and archival project honoring the lives\, legacies\, and cultural memory of Black transgender women through performance\, oral history\, and sacred storytelling. Her praxis weaves movement work and ancestral testimony into a powerful meditation on survival\, transformation\, and spiritual lineage. For over four decades\, Andrea has been a vital presence in San Francisco Bay Area queer and cultural communities\, using her voice and art to protect\, remember\, and liberate. \n\n\n\nMason J. is a Lambda Literary Awarded San Francisco-born Afro-Indigenous Two-Spirit artist\, historian\, educator\, and community archivist exploring memory\, ritual\, and cultural recovery. Their work weaves public record with holistic care\, nightlife\, harm reduction\, and ritual craft\, helping communities trace lineage beyond academia and erasure. Mason serves on the GLBT Historical Society board and has been a Still Here SF co-editor\, Show Us Your Spines co-founder\, 2016 VONA alum\, and 2017–2019 James C. Hormel Center Fellow. Spotlight Sundays with him is part workshop\, part time machine: storytelling meets formal and renegade research – creative mapping through art\, global ancestry\, witnessing\, with collaboration and take-home tools. \n\n\n\nAjuan Mance is an Oakland-based artist and writer and a Professor of Illustration at the California College of the Arts. Ajuan is the author and illustrator of 1001 Black Men: Portraits of Masculinity at the Intersections; Living While Black: Portraits of Everyday Resistance; and the children’s picture book What Do Brothas Do All Day? Her comics and illustrations have appeared in a number of publications\, including the Women’s Review of Books and Transition Magazine\, as well as several anthologies. Gender Studies\, Ajuan’s first book of comics\, was nominated for the 2024 Ignatz Award for Best Comics Collection.  \n\n\n\n\n\n\n\n\n\n\n\nAccessibility\n\n\n\nOakland Museum of California (OMCA) is committed to providing programs that are accessible\, welcoming\, and inclusive of our community. Wheelchairs\, sensory inclusive devices\, and additional amenities are available for checkout on a first come\, first served basis at the Ticketing Desk. To request other accommodations\, like American Sign Language (ASL)\, Cantonese\, Spanish or another language interpreter\, please email visitor@museumca.org at least three weeks before the event. Learn more about our accessibility options. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nReturn to Events
URL:https://museumca.org/event/spotlight-sundays-trans-ancestors-in-history-and-creative-practice/
LOCATION:OMCA Lecture Hall\, 1000 Oak\, Oakland\, California\, 94607
CATEGORIES:Spotlight Sundays,Members
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