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DTSTART;TZID=America/Los_Angeles:20260311T000000
DTEND;TZID=America/Los_Angeles:20260315T235959
DTSTAMP:20260522T144947
CREATED:20260220T002320Z
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UID:10002283-1773187200-1773619199@museumca.org
SUMMARY:Member Bonus Reciprocity Week at BAMPFA
DESCRIPTION:Juneteenth! at the Museum\n\n        \n    \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJoin us in a celebratory partnership between the Oakland Museum of California and the Berkeley Art Museum and Pacific Film Archive (BAMPFA) with this bonus reciprocity week-long event!  \n\n\n\nFrom March 11-15th\, enjoy free admission reciprocity to BAMPFA for 2 guests per membership and 50% off of current and future film screenings! Use code OMCA2026 for film reservations online. \n\n\n\nBAMPFA is open 11 am–7 pm\, Wednesday through Sunday. \n\n\n\nNot a Member yet? Join Today! \n\n\n\n\n\n\n\nCurrent Exhibitions Include:\n\n\n\n\n\n\n\nTheresa Hak Kyung Cha: Multiple Offerings\n\n\n\nTheresa Hak Kyung Cha: Multiple Offerings is the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha (b. 1951\, Busan\, South Korea; d. 1982\, New York City). Cha produced an expansive range of works across text-based media\, video\, and performance\, including her posthumously published book\, Dictée (1982). The artist’s interdisciplinary practice gave shape to the experimental art scenes in San Francisco\, New York City\, and beyond. \n\n\n\nAfter emigrating from South Korea to the United States\, Cha enrolled in 1969 at UC Berkeley\, where she studied art practice\, comparative literature\, and film. Keenly attuned to the active role that audiences play in the creation of meaning\, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” The retrospective adopts this framework to allow for a range of entry points into Cha’s work\, guiding visitors through the themes—memory\, displacement\, and the mutability of language\, among others—that recur in her oeuvre. \n\n\n\nSince 1992\, owing to a generous gift from the Theresa Hak Kyung Cha Memorial Foundation\, BAMPFA has served as the steward of Cha’s art and archives. Gathering over one hundred artworks and archival materials from across her short but prolific career\, as well as select loans of works by Cha and other artists\, Multiple Offerings highlights the inventive\, playful\, and meditative methods of Cha’s practice while also situating her work within a constellation of artistic forebearers\, peers\, and contemporary artists for whom she has long been a lodestar.  \n\n\n\nThe exhibition is accompanied by a richly illustrated catalogue—the first museum monograph dedicated to the artist in over twenty years. \n\n\n\n\n\n\n\nArt Wall / Stephanie Syjuco: Present Tense (Roll Call)\n\n\n\nDebuting her largest wall installation to date\, artist Stephanie Syjuco (b. 1974\, Manila\, Philippines; lives and works in Oakland) presents Present Tense (Roll Call). Referencing the classroom routine of announcing one’s presence\, the exhibition explores radical pedagogy in the politics of education. Syjuco’s practice spans from handcrafted textiles to archival excavations\, interrogating how photography and archives shape racialized narratives of being and belonging. \n\n\n\nFor this exhibition\, Syjuco\, a UC Berkeley professor since 2013\, reflected on her role as an educator while drawing from the Bancroft Library and the Ethnic Studies Library\, engaging with their extensive holdings on student activism and research by marginalized communities. As part of the artist’s process\, she collaborated with multiple participants\, inviting educators nationwide to contribute pedagogical materials\, thus reinforcing the interconnected nature of knowledge production. \n\n\n\nPresent Tense (Roll Call) cascades across the wall as a sprawling visual field of text and imagery\, which uses documents referencing the first ethnic studies programs in the United States\, including UC Berkeley’s program\, born in the late 1960s. With this project\, Syjuco urgently responds to the broad backlash against and recent legislative attacks on ethnic studies\, book bans\, and the defunding and removal of diversity programs. She transformed ordinary didactic materials into a layered constellation of fragmented and reassembled information. Her photographic approach reenacts archival parsing\, selectively sharpening elements while letting others fade into illegibility\, revealing how knowledge is precariously preserved\, erased\, and fiercely contested. By working through the logic and limits of archives\, Syjuco invites viewers to reconsider the tension through which history—and its daily presence—is recalled\, constructed\, and controlled. \n\n\n\n\n\n\n\nObject Oriented: Abstraction and Design in the BAMPFA Collection\n\n\n\nObject Oriented: Abstraction and Design in the BAMPFA Collection explores how artists have represented\, reshaped\, and reimagined familiar objects\, drawing attention to the role of design in our everyday lives. This exhibition encourages acts of close looking\, asking viewers to question their immediate recognition of what they see. In this way\, an object that might at first appear to be a chair could also be considered a sculpture\, a stand-in for a body\, or simply a piece of metal. \n\n\n\nThis exhibition brings questions of design into conversation with abstraction. The paintings on view emphasize their own materiality rather than picturing or alluding to something outside of themselves. At the same time\, items that might seem functional are also explorations of color\, shape\, pattern\, and texture. By highlighting these formal aspects of the pieces\, the exhibition calls into question our assumptions around the utility of objects. \n\n\n\nDrawing from BAMPFA’s expansive holdings\, Object Oriented positions abstract painting and sculpture alongside works designed for architectural spaces\, maquettes\, and artist’s books. Seen together\, these works bring a new awareness to the ways we think about and categorize objects through art and design. \n\n\n\n\n\n\n\nExperience the best of world cinema on the big screen in BAMPFA’s state-of-the-art Barbro Osher Theater\, including the following films: \n\n\n\nFar from Home by Sohrab Shahid Saless \n\n\n\nKill the Documentary by Harun Farocki\, Hanspeter Krüger\, Eckart Kammer\, and Caroline Gremm \n\n\n\nCompensation by Zeinabu irene Davis \n\n\n\nThe Bitter Tears of Petra von Kant by Rainer Werner Fassbinder \n\n\n\nLast Year at Marienbad by Alain Resnais \n\n\n\nAdvanced purchase is highly recommended as films sell out quickly! Check your March calendar of events email for the discount code or email the Membership team at membership@museumca.org.  \n\n\n\n\n\n\n\nFor gallery admission\, simply present your OMCA membership card at the Visitor Experience welcome counter and enjoy.   \n\n\n\nQuestion or comments? Please contact us at membership@museumca.org or 510-318-8520. Please note that BAMPFA is closed on Labor Day\, September 1. \n\n\n\n\n\n\n\n\nReturn to Events\n\n\n\n\n*Header image: Theresa Hak Kyung Cha\, Other Things Seen\, Other Things Heard\, 1978. Gift of the Theresa Hak Kyung Cha Memorial Foundation.
URL:https://museumca.org/event/member-bonus-reciprocity-week-at-bampfa-2026/
LOCATION:Berkeley Art Museum and Pacific Film Archive\, 2155 Center St\, Berkeley\, California\, 94720\, United States
CATEGORIES:Members
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DTSTART;TZID=America/Los_Angeles:20260312T170000
DTEND;TZID=America/Los_Angeles:20260312T200000
DTSTAMP:20260522T144947
CREATED:20260212T003804Z
LAST-MODIFIED:20260310T211223Z
UID:10002279-1773334800-1773345600@museumca.org
SUMMARY:ThursDates at OMCA with Jessa Calderon & Good Fire Pop-Up Talks and Demos
DESCRIPTION:Juneteenth! at the Museum\n\n        \n    \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThursDates at OMCA | Good Fire: Tending Native Lands In-Gallery Pop-Up Series ft. Jessa Calderon\, Tiśina Ta-till-ium Parker\, Saif Azzuz\, Alice Lincoln-Cook\, and Dr. Brittani Orona; Music from WELIVEINPARADISE; Pop-Up Market ft. Ihoo Taloowa Beads; and Gallery Chats\n\n\n\n\n\n\n\n\n\n\n\n\n\nAdults 18+\n\n\n\n\n\n\n\nThis Thursday\, experience the latest exhibition Good Fire: Tending Native Lands through a series of intimate\, in-gallery pop-up talks\, performances\, and demonstrations. The evening opens with a musical set by Tongva\, Chumash\, and Yoeme artist Jessa Calderon\, whose songs and poetry channel Indigenous resilience and community healing. Interwoven between performances\, experience pop-up talks and demos with regalia maker Tiśina Ta-till-ium Parker\, artist Saif Azzuz\, and basketry and cultural fire specialists Alice Lincoln-Cook and Dr. Brittani Orona\, each offering hands-on insights into art\, land stewardship\, and ancestral practices. \n\n\n\nOutside the gallery\, Town Fare becomes a hub for immersive sound with WELIVEINPARADISE\, blending live electronics and ambient textures\, while Ihoo Taloowa Beads offers handcrafted adornments rooted in Chickasaw traditions and the stories of the land. Throughout the evening\, guests can sip cocktails\, enjoy bites\, and let the music guide them through an unhurried exploration of creativity\, culture\, and connection. \n\n\n\nIn addition\, every ThursDates at OMCA offers a rich gallery experience with Gallery Chats from 5:30–7:30 pm. Unlike traditional tours\, these conversations invite you to ask questions\, share perspectives\, and engage with OMCA facilitators who blend content expertise with lived experience. Gallery Chats take place in all of our galleries—including our Special Exhibitions—and are included with Museum and Special Exhibition admission. Join us for an evening made for learning\, creating\, lingering\, and connecting. \n\n\n\n\n\n\n\nProgram Schedule: \n\n\n\n5–7:30 pm Vendor: Ihoo Taloowa Beads | Great Hall Entrance \n\n\n\n5:30–7:30 pm Live Music + DJ Set w/ WELIVEINPARADISE | Town Fare \n\n\n\n5:30–7:30 pm Gallery Chats | All Galleries \n\n\n\n5:40–6 pm Live Music w/ Jessa Calderon | Great Hall—Good Fire \n\n\n\n6–6:15 pm Pop-Up Talk w/ Tiśina Ta-till-ium Parker | Great Hall—Good Fire \n\n\n\n6:15–6:30 pm Pop-Up Talk w/ Saif Azzuz | Great Hall—Good Fire \n\n\n\n7–7:30 pm Pop-Up Talk + Demo w/ Alice Lincoln-Cook + Dr. Brittani Orona  | Great Hall—Good Fire \n\n\n\n7:30–7:50 pm Live Music w/ Jessa Calderon | Great Hall—Good Fire \n\n\n\n\n\n\n\n\n\n\nGENERAL ADMISSION TICKETS\n\n\n\nSPECIAL EXHIBITION TICKETS\n\n\n\nFree Member Tickets\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout ThursDates \n\n\n\nEvery Thursday\, January through March\, step into OMCA’s warm after-hours glow. Experience a rotating mix of intimate performances\, live figure drawing sessions\, game nights\, and more—designed just for adults. Or sip a signature cocktail and grab a light bite in Town Fare by Michele McQueen\, all to a soundtrack of local Oakland artists and DJs. \n\n\n\nWhether you’re exploring the Museum with a date\, catching up with friends\, or are coming solo and looking to meet someone new\, you’ll find connection\, inspiration\, and creative surprises\, week after week. \n\n\n\n\n\n\n\nAccessibility \n\n\n\nOakland Museum of California (OMCA) is committed to providing programs that are accessible\, welcoming\, and inclusive of our community. Wheelchairs\, sensory inclusive devices\, and additional amenities are available for checkout on a first come\, first served basis at the Ticketing Desk. To request other accommodations\, like American Sign Language (ASL)\, Cantonese\, Spanish or another language interpreter\, please email visitor@museumca.org at least three weeks before the event.  \n\n\n\n\n\n\n\n\n\nPerformer BIOS\n\n\n\n\n\n\n\n\n    \n		\n        \n            \n\n			\n            \n				\n				                    About Tiśina Ta-till-ium Parker\n				\n				                    Tiśina Ta-till-ium Parker is a California Indigenous [cis] fem\, traditional regalia maker\, fire keeper\, textile designer\, and community cultural art activist. Tiśina’s people are Yosemite Southern Sierra Miwuk/Kutzadika’a Mono Lake Paiute\, from her grandfather’s lineage\, and Kashia Pomo & Coast Miwuk\, from her grandmother’s lineage. Tiśina was born and raised in her sacred tribal homeland of Yosemite/Mariposa. Born into a strong Indigenous lineage\, Tiśina has practiced ceremony with her Yosemite/Mariposa tribal community since birth. She descends from a powerful matriarchy of notable California basketmakers\, including her great-great-grandmother\, Lucy Telles\, and her grandmother\, Julia Parker. Tiśina currently serves on tribal council with the Southern Sierra Miwuk Nation\, is active in cultural fire work with the Little Fires cultural burn program in Yosemite National Park. \n\n				\n				\n            \n\n        \n\n    \n	\n        \n            \n\n			\n            \n				\n				                    About Saif Azzuz\n				\n				                    Saif Azzuz is a Libyan-Yurok artist who resides in Pacifica\, CA. He received a Bachelor’s Degree in Painting and Drawing from the California College of the Arts in 2013. Azzuz has had solo presentations at the Blaffer Art Museum and the ICA San Francisco\, and his work is in selected public collections including the Rennie Museum\, de Young Museum—Fine Arts Museums of San Francisco\, Gochman Family Collection\, Facebook\, North Carolina Museum of Art\, Kadist\, University of St. Thomas\, Stanford Health Care Art Collection\, and UBS Art Collection. \n\n				\n				\n            \n\n        \n\n    \n	\n        \n            \n\n			\n            \n				\n				                    About Alice Lincoln-Cook\n				\n				                    Alice Lincoln-Cook (Karuk) draws on a lifetime of work as an independent artist\, traditional basket weaver\, culture bearer\, and cultural fire expert. She is passionate about teaching the practices she grew up with to help others manage ancestral lands and waters in a good way—that is healthy for her people and her culture. Prior to serving as the President and Board Member with the California Indian Basketweavers Association (CIBA)\, Alice taught basket weaving to California Native tribal members and worked with local schools\, non-profits\, and state and federal agencies throughout the Pacific Northwest. Since obtaining her Basic 32 Red Card firefighting certification\, Alice has become a sought-after speaker at universities\, conferences\, and Basic 32 fire training programs both in California and nationally. \n\n				\n				\n            \n\n        \n\n    \n	\n        \n            \n\n			\n            \n				\n				                    About Brittani Orona\n				\n				                    Dr. Brittani R. Orona is a Hupa environmental public humanities scholar and an Assistant Professor of Native American Studies at University of California\, Davis. Her academic focus is on environmental studies and humanities\, California Indian Studies\, and abolition ecology in California and the American West. Orona has worked in the museum and cultural resources management fields as a curator and consultant for 18 years. She is Hupa\, and an enrolled member of the Hoopa Valley Tribe. Orona is guest curator of OMCA’s latest exhibition Good Fire: Tending Native Lands. \n\n				\n				\n            \n\n        \n\n    \n	\n        \n            \n\n			\n            \n				\n				                    About Paradise Maquetaurie\n				\n				                    Paradise Maquetaurie is a two-spirit artist based in San Francisco whose work merges live electronics\, improvisational music\, and projection-mapped visuals into immersive storytelling environments. Performing as WELIVEINPARADISE\, she blends club and ambient soundscapes with field recordings\, video art\, graffiti\, emerging technologies\, pop influences\, and Taíno/Yoeme histories to create deeply engaging performances. A vital force in the Bay Area’s underground queer and trans electronic music community for over six years\, her work has appeared at Outside Lands\, Oaklash\, Gays Hate Techno\, Weaving Spirits Pride 2025\, and countless clubs\, renegades\, and underground spaces. \n\n				\n				\n            \n\n        \n\n    \n	\n        \n            \n\n			\n            \n				\n				                    About Ellissa Thompson and Ihoo Taloowa Beads\n				\n				                    Ellissa Thompson is a Chickasaw artist\, cultural practitioner\, and land steward whose beadwork reflects the teachings of her heritage and the landscapes that shaped her. An enrolled citizen of the Chickasaw Nation with family ties to Ada\, Oklahoma\, she was born and raised in the East Bay. Her business\, Ihoo Taloowa Beads\, is grounded in cultural continuance. Bringing together tradition\, contemporary expression\, and the stories of the plants\, waters\, and lands that inspire her work. Each piece is created with intention and the understanding of adornment as medicine\, identity\, and connection. \n\n				\n				\n            \n\n        \n\n    \n	\n        \n            \n\n			\n            \n				\n				                    About Jessa Calderon\n				\n				                    Jessa Calderon (Tongva\, Chumash Yoeme) is a songwriter\, published author\, poet\, hip-hop artist\, basket weaver\, paddler\, hypnotherapist\, massage therapist\, energy worker\, and offers guided meditations. Jessa is also part of the Dream Warriors society and encourages her community and youth to find physical\, mental\, and spiritual healing by sharing her words\, music\, and practices. She has the honor to work with community and youth from many Nations\, helping them unleash their creative potential and passion for authentic representation and diverse narratives within the film industry.  \n\n				\n				\n            \n\n        \n\n    \n	\n\n\n\n\n\n\n\n\n\nSponsor\n\n\n\nMajor support for ThursDates at OMCA is provided by The Oakland Museum Women’s Board. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nReturn to Events
URL:https://museumca.org/event/thursdates-at-omca-with-jessa-calderon-good-fire-pop-up-talks-and-demos/
LOCATION:OMCA campus
CATEGORIES:Gallery Chats at OMCA,Thursday After Hours,Town Fare Cafe,Ticketed
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