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Artist:
Ann Weber.
Photo: Michael Temperio |
My artistic journey began with ceramics - I spent 15
years in New York City making functional pottery. I left the East
Coast for California
to pursue an MFA at the Califonia College of Arts and Crafts in Oakland,
where I studied with Viola Frey and Art Nelson.
I started working in cardboard in 1991 because I wanted to make
large forms. I wanted to eliminate the cumbersome process of
clay and the
weight of large clay objects. Using Frank Gehry’s cardboard
furniture for inspiration, I decided to use the same material for
abstract shapes. They are large primal forms that can represent seed
pods, figures, architecture, relationships, pearls. The sculptures
read as metaphors for life experiences such as the balancing acts
that define our lives or seeing how far one can go with something
before it collapses.
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Artist: Ann Weber
Photo: Michael Temperio |
Working with a palette of simple forms - cylinders and circles
that symbolize life, male and female, the origin of all forms in
nature
- I am interested in the possibilities of making beauty from a
common and mundane material. For my public art projects, I have
been casting
the cardboard into bronze. This enables me to explore the idea
of creating something from nothing, turning straw into gold.
Ann Weber
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