Oakland Museum of California Oakland Museum of California Exhibitions ExhibitionsYour VistShop with Us
Mu'zineMembershipAbout Us
Oakland Museum of California Oakland Museum of California | Current Exhibitions | Upcoming Exhibitions |
| Off-site Exhibitions |
Exhibition Archive |
Oakland Museum of California Calendar
Departments
Online ResourcesContact UsSite Map

January 12–April 21, 2006
Walter Robinson: Greenhouse
Opening Reception: Thursday January 12, 5 – 7 pm
Oakland Museum of CA Sculpture Court
1111 Broadway

in downtown Oakland

The Oakland Museum of California Sculpture Court at City Center is a collaboration between the Oakland Museum of California and the 1111 Broadway Building.
Sculpture Court hours are Monday through Friday 7 a.m–7 p.m.; Third Thursdays 7 a.m.– 8 p.m. Closed on holidays.

Presented by the Oakland Museum of California Professional Services division
Professional Services Exhibition Archive

 
Walter Robinson
Boneyard Midori, 2003
wood, epoxy, rubber
118” x 110” x 42”

Oakland Museum of California (OMCA) Off-Site presents Walter Robinson: Greenhouse at the Sculpture Court in Oakland City Center. This exhibition transforms 1111 Broadway’s atrium lobby into an eerie, fantastical environment featuring the uncanny constructs of San Francisco artist Walter Robinson.

Greenhouse is a survey of experiments with biomorphic forms that Robinson has worked on over the past seven years. The earliest rough-hewn pieces were begun during the artist’s residency at the Djerassi Foundation in Woodside, California. This residency afforded Robinson the opportunity to work at a large scale with fallen trees in the outdoors. His mutating plant forms sprouted organically out of the natural surroundings and evolved over time into glossy wood-and-epoxy animal-based forms.

The animal speciestar pets, sparkle pups, and brillo giraffesstem from Robinson’s explorations into African animal fetishes and his interest in collecting children’s toys. He explains, "I was struck by the powerful physical immediacy of such simple forms (essentially a torso and four legs), and the way our human brains and bodies react to them in biologically prescribed ways–with fright or curiosity or empathy, etc. It’s as if, as animals ourselves, we’re compelled to interpret their intent toward each other and us."

Robinson’s animals are "skinned" with layers of epoxy, pigments, and metalflake borrowed from the “pop” vocabulary of another chapter of his work. According to Robinson, the seductive candy-colored bodies suggest the ways science has manipulated various life forms to appeal to our consumer culture fixated on pets, meat, beauty, virility, drugs, and immortality.

Walter Robinson
Spring and Gridlock II (Installation view), 1999
wood dimensions vary

The investigation of these ideas led Robinson to an understanding of our childlike wonderment of nature, so often tempered with the dread and awe of its unpredictability and power.

Robinson has shown extensively throughout California, including Villa Montalvo, Saratoga; the San Jose Museum of Art; Headlands Center for the Arts, Sausalito; the Bedford Gallery, Walnut Creek; and the San Francisco Museum of Modern Art Artists Gallery, among others. He is represented in numerous public and private collections, including the di Rosa Preserve in Napa and the Djerassi Foundation in Woodside.

Walter Robinson is represented by the Catharine Clark Gallery, 415.399.1439, www.cclarkgallery.com.

Organized by the Professional Services division of the Oakland Museum of California.

 
  © 2005 Oakland Museum of California |  Credits |Phone: 510-238-2200