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Al
Honig, Urn Series #9, 1989, manufactured object
56" x
31" x 27"
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One
man’s trash is another’s treasure,
or so it appears in the sculpture of Al Honig. Honig’s witty
constructions are created using a mélange of manufactured
objects. His forms incorporate a wide range of discarded items – moving
parts, strobe lights, fake fur, even beauty parlor equipment – each
fitting together to comprise a cohesive, single sculpture.
Honig discovers
his materials in scrap yards and flea markets, places he says represent “the
last step before meltdown.” He
selects the items based on their design, condition and price, paying
little attention to utilitarian characteristics. Through this process,
Honig pursues form over function and allows each individual part
to inform the overall aesthetic of a completed sculpture.
Much
of Honig’s work addresses profound subject matter, including
death, life, religion and business. The sculptures in his Urn
Series are designed as elaborate, often satirical, containers for cremation
ashes. In his Allegory Series, Honig presents abstract ideas and
moral principles based on his observations and suppositions of
human behavior. Some reflect related worldly ideas, including cross-cultural
experiences and the betterment of mankind.
Organized
by the Professional Services division of the Oakland Museum of
California. |