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Elvis
signs autographs on the Paramount Studios lot, Hollywood,
CA, January 1957.
Courtesy of ©Elvis Presley Enterprises, Inc. |
Experience
Elvis Presley’s meteoric rise and
the unprecedented
mass hysteria he created through photographs and unique
artifacts. Eye of the Storm celebrates 50 years (1954–2004)
of
Elvis and rock ‘n’ roll by capturing a memorable point
in this
American original’s life, vividly reported to have caused
so many
to break “from their seats, swept like a wave up to the stage.”
When Elvis
walked into the Memphis Recording Service on
July 5, 1954, the idea that he would revolutionize music and
leave a monumental imprint on society did not visit him as
he
approached the microphone. With the release of the uninhibited
fruit of that session, SUN 209, his debut single, the whirlwind
began, and Elvis stood center stage in a defining cultural
change. No one had seen anything like him. A conservative
America soon did an anxious double take, assured itself that
this “delinquent” and his “deplorable” music
would not
last, and settled passionately into what one magazine called,
The War of the Generations.
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Elvis
Presley on stage at Russwood Park, Memphis, TN, July 5,
1956.
Courtesy of ©Elvis Presley Enterprises, Inc.
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In the South
racial segregation reigned in schools, public places,
and neighborhoods. Elvis shook this already combustible social
terrain with a singular outpouring, a fusion of rhythm and
blues and country. Black and white music had united. Elvis
commanded attention, not just for his seismic performances,
disarming looks, and mannerly demeanor off-stage, but also
for his appreciation for what was then called “race music”— and,
more importantly, the integrity of the men and women who made it.
Into this
charged era, Elvis offered his dynamic, inventive style.
He at once showered his fans and answered his critics through
rare talent. Imaginations soared when his rich baritone struck
from the turntable. When his voice echoed through a microphone,
it competed with a spontaneous cascade of roof-lifting screams
and anguished wails. Whether on stage, film, or television,
boundaries disappeared. An interplay remained, electrifying,
playful, instinctive, and flowing, without pause, into hearts.
Ben Petry,
Curator
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