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June
24, 2000 through Oct. 15, 2000
Helen Nestor: Personal and Political
Oaks Gallery
Presented by the Art Department
The Oakland
Museum of California celebrates the acquisition of the archive of
Berkeley photographer Helen Nestor with the exhibition Helen
Nestor: Personal and Political, which runs through October 15,
2000. The exhibition presents 33 vintage black and white photographs
of the California social scene of the '60s and '70s, documenting
such subjects as the Free Speech Movement at Berkeley, nontraditional
California families, Vietnam War protests, California feminists,
mid-life women, the early days of busing in the Berkeley Unified
School District, street life on Telegraph Avenue and the Haight
Ashbury, and the People's Park movement.
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The
Family Oz, 1978,
(from the Alternative Families series),
Gelatin silver print,
Collection OMCA, gift of the artist
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The Nestor
collection, containing more than 2,000 prints and 20,000 negatives,
is the life's work of an important documentary photographer who
specialized in recording the political and social changes of the
1960s and beyond in California.
Nestor's prolific
career is all the more remarkable in that she is seriously disabled.
Like Dorothea
Lange (with whom she was acquainted), Nestor was afflicted with
polio; unlike her more famous colleague, she could not walk without
the assistance of crutches and, eventually, a wheelchair. Despite
this she produced compelling work in often threatening situations.
Born in 1924,
Nestor earned a B.S. degree in public health at U.C. Berkeley before
being stricken with polio in 1951. She studied photography in the
early 1960s with Ansel Adams, Morley Baer, Minor White and Dorothea
Lange her spiritual mentor.
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National
Guard, Downtown Berkeley, People's Park Confrontation, May
22, 1969,
(from the People's Park series)
Gelatin silver print,
Collection OMCA, gift of the artist
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Nestor's work
appeared in Ramparts magazine as well as in several monographs
including Equal Start (1968), On the Go (1968), The
Trouble in Berkeley (1965) and Field Trips (1966). In
the 1970s she became increasingly interested in changing family
constellations, creating a series entitled Non-Traditional American
Families, which exhibited in several galleries including the
Focus Gallery in San Francisco. In 1988 she rephotographed these
families for a book titled Family Portraits in Changing Times
(1992).
Nestor has
also photographed the disabled, focusing on disabled working women
and artists. She has mounted ten solo exhibitions and participated
in numerous group showings.
For more photography at OMCA visit our photography
resource page.
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