Curiosity as Sculpture

Much of Ireland’s art is based on his almost scientific curiosity to work with different materials and explore new processes and possibilities. He has investigated the idea of “intentional spills” by spilling cans of paint in boxes, and once created a work titled The Sound of Blue (1983), in which the sound of a propane torch burning blue was amplified and exhibited as an artwork.

In the sculpture Harp (1991), Ireland explores the phenomenon of capillary action—when liquid dye, as it comes in contact with a piece of fabric, rises or falls depending on surface forces. Ireland’s choice of materials—a white enameled basin and stool, sterile gauze-like cheesecloth, wire, and a metal C-clamp—was very deliberate. It was a way for the artist to emphasize the scientific nature of the piece.

Occasionally Ireland introduces vivid hues into his otherwise neutrally-colored work; and when he does the color is significant. The golden yellow that appears in Harp signifies wisdom, revelation, and is seen in the saffron-colored robes worn by Asian priests. The deep ultramarine blue he sometimes uses is a color associated with the French artist Yves Klein who, like Ireland, was interested in heightening human awareness.