
Angel-Go-Round, 1996, installation view
from exhibition at Oakland Museum of California, 2003-04. Fiberglass
and cast concrete figures, motor, and nyon belting. 22 x
25 feet diameter.
Courtesy of the artist; Gallery Paule Anglim, San Francisco; Christopher
Grimes
Gallery,
Santa
Monica,
California; and Jack Shainman Gallery, New York. Photograph by M. Lee
Fatherree. |
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The Way Things Are
For David Ireland, “art” is a state
of mind. He suggests that any object, any situation, can be art,
if
so experienced. “I
have this notion,” he explains, “that art occurs in
the process of life itself, and you don’t have to go outside
of the context of your own life. It’s all there, and you
just tap into it. You open up to it. You have to make yourself
available to possibilities.”
As Ireland makes clear, his entire creative energy has been aimed
at expanding human awareness of the art in life. Above all, he
wants to awaken within himself and the viewer the capacity to see,
feel, and think very differently from the way one normally does,
especially when looking at art. The commonplace, could we but see
it, he suggests, is just as extraordinary as the highest aesthetic
creation. Ireland’s outlook is based on an unending curiosity
about the world and his ultimate acceptance of the way things are.
Karen Tsujimoto
Senior Curator of Art
Oakland Museum of California
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