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| David Ireland in Kenya, 1969. Photograph
by Willard N. Drown, III. |
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Who is David Ireland?
Chronology
David Ireland (b. 1930)
is one of the West Coast’s most
important artists working in the challenging arena of conceptual
and installation art. He is part of a community of national and
international contemporary artists concerned with expanding the
definition of art: how it is made, what it looks like, and what
it means. In Ireland’s mind, art can be made from anything
and in any way. It can be as large as a house or as small as a
glass jar. It can be poured, painted, handcrafted, spoken, written,
performed, or videotaped. It can be made from found objects, materials
of the earth, commercial artifacts, and even immaterial elements
such as liquid, air, or sound.
Ireland has described himself as an “idea” artist,
one whose art is the result of investigating a broad range of concepts
and possibilities. He has, for example, displayed ordinary chairs
as sculpture; and he is fascinated by the physical transformation
that materials can go through, such as cement when it changes from
a powder to liquid, and then to a hardened form.
But as this exhibition makes clear, Ireland’s art—just
like ideas themselves—can be puzzling, humorous, and even
confusing. Indeed, this is part of the artist’s intent.
Ireland’s idea is to challenge those things that allow
us to engage with a work of art. “What makes a piece successful
for me is when a viewer is totally ill-equipped to understand
why a piece of concrete that I find on the street should be significant,” he
states. “When I see them getting close to understanding
it, then I want to push it farther from their grasp.” Through
his work, Ireland provokes us to question the very idea of art
and how we, as viewers, perceive, define, and value it.
Karen Tsujimoto
Senior Curator of Art
Oakland Museum of California |